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How much extra effort is required for Pro/E to go from relative to the finest resolution of absolute accuracy? I have used relative accuracy without problems except for two parts. I simply changed from relative to absolute and continued working. Now that I know what to look for in regards to accuracy problems, I won't get stumped anymore. (It was already mentioned before, but features failing to intersect or in my case, graphical issues and failures for no apparent reason). In most cases is it so terrible to leave the accuracy as relative and change it if required?
One odd thing I've noticed, is the smallest absolute accuracy of one part I am working on is not the same as another part.